Peter Larsen has been the Pop Culture Reporter for the Orange County Register since 2004, finally achieving the neat trick of getting paid to report and write about the stuff he's obsessed about pretty much all his life. Where: The Hollywood Bowl, Los Angeles Related Articles night with music, was simply glorious before “Baba O’Riley” wrapped up the two-hour-and-15-minute show.įormer Oasis singer Liam Gallagher opened the night with a tight, 25-minute set that focused on songs from his new album, “Why Me? Why Not.” Highlights included the hard groove of “Shockwave” and the gentler acoustic ballad “Once,” though his closing number, the Oasis hit “Champagne Supernova,” was surely the one most people pulled their iPhones out to record. Of those, “5:15” was the early highlight, while “Love, Reign Over Me,” with Daltrey’s soaring vocals, Townshend’s guitar, and the orchestra filling the windy L.A. The orchestra back on stage, the final third of the set opened with “Ball and Chain,” one of two strong new songs the Who played off “Who,” the new album out next month, and then segued into five tracks from “Quadrophenia,” its other classic rock opera. Highlights here included the ’60s mod classics “The Kids Are Alright” and “Substitute,” the later “You Better You Bet,” which had most of the crowd singing enthusiastically along, and the always lovely “Behind Blue Eyes.” Townshend, who was often quite funny in his banter between songs, announced it as “us pretending to be the band we used to be - and I think we do a pretty good job of it.” The orchestra during the middle of the show so the band could rock hard through some of its oldest hits. 5 notes on Elton John’s ‘Farewell’ at Staples Center on Tuesday.Paul McCartney reunites with Ringo Starr at Dodger Stadium during career-spanning show.The Rolling Stones rise to rock the Rose Bowl.Rod Stewart and Jeff Beck reunite at the Hollywood Bowl: So how was it?.Peter Frampton plays emotional farewell show to fans in Temecula ahead of Forum concert.And he showed off his trademark leaps with knees bent or legs split, though he doesn’t get quite as much air as he used to.ĭaltrey, who in the past has at times seemed to need a few numbers to get his voice stretched out, sounded great from the start, hitting all the high notes he attempted, though a newer acoustic arrangement of “Won’t Get Fooled Again” lets him avoid that throat-shredding scream at the end. Townshend, who later sang lead vocals on “The One,” has a bit more gravel in his voice these days, but it suits his delivery. “Pinball Wizard” was, of course, the highlight of the “Tommy” tunes, but as that album ended, the orchestra - local musicians joined by the Who’s touring violinist and cellist, Katie Jacoby and Audrey Snyder, respectively - stuck around for fan favorites that included the propulsive rocker “Who Are You” and “Eminence Front,” with its funky rhythms percolating beneath Townshend’s guitar riffs and vocal. These are songs that sound great with the full orchestra playing behind Daltrey, Townshend and the band that includes such longtime touring partners as Pete’s brother Simon Townshend on guitar and Ringo’s son Zak Starkey on drums. The Who’s Moving On! tour arrived on Friday with an orchestral section featuring six songs from the band’s rock opera “Tommy,” starting with its opening “Overture” and ending with the album’s final track, “We’re Not Gonna Take It.” The music is some just as good, or better, than it ever was. Most of us long ago decided whether or not we think Rod is sexy. Not because Mick Jagger and Keith Richards still seem dangerous. Not because Elton can hit all the high notes or Paul is still puppy dog cute.
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